I realize I haven’t been blogging much since school ended and I need to change that ASAP. My plan was to publish a blog once a week but then I landed a full-time job and an internship to manage during the summer — along with obsessively planning my future and making sure my dog has the best life possible (duh). Since summer allows for increased freedom this means I stray away from my trusty planner and blog schedule often.
I’ve been working on a new website for a few weeks and I can’t wait to publish it soon!
Once it’s completed all my blog posts will appear linked to the domain — making it easier for everyone to find my portfolio, contact information, and of course my writing!
Things have been pretty exciting around here — stay tuned for more updates.
You’re fresh out of college, or in your senior year and you have to start worrying about finding a job post-graduation. You know you want to work within the music industry, but you’re torn between what capacity. This guide is here to quickly inform you on some of the jobs that are present within the music industry in hopes of guiding you to your dream job.
Tour managers are in charge of scheduling, managing transportation for the band and crew, and some financial aspects of the artist’s time while out on the road. The main purpose of a tour manager is to ensure everything runs together seamlessly — along with communicating with promoters and those who work at the venues.
There are many different job variations within the A&R field, but basic duties include: finding talent for the label, overseeing the completion of the signed artists’ albums, all while maintaining budgets for artists, etc.
A promoter typically works for a venue or an independent agency that focuses on organizing and booking talent for shows. A promoter typically focuses on getting bodies into the door, securing the venue, and marketing the event to the public. This is usually done through social media, flyers, videos, and other tactics.
Booking agent & Talent Buyer:
Similar to a promoter, a booking agent focuses on setting and negotiating deals and planning tours for bands on their roster — or negotiating deals to get a tour to come to a certain venue.
A publicist focuses on certain bands and carefully filters the information that is released to the public. Along with handling press conferences, press releases, and typical tour information. This job is more focused on PR and the impression of the band that is perceived by the fans.
An event photographer can be freelance, work for an independent agency or a label. The purpose of an event photographer is to capture every moment of the tour in order to engage the fans and provide documentation that can later be used as tactics.
These are some of the most popular jobs in the music industry today. Sadly there isn’t a step-by-step guide to assist you in landing one of these jobs. Hard work, determination, and knowledge of the industry can position you in front of your peers who are seeking the same position.
Yes, I know it sounds cheesy, but from the time I was born my parents engulfed me in the valuable lessons, music had to offer. From classical to jazz, alternative, rock, pop, metal and so much more I have been able to curate my own values and perceptions of life through these genres. Music swiftly guided me through my painful teenage years and inspired me throughout my long duration in college. I can truly say I wouldn’t be the person I am today without the continued inspiration I receive from music and the industry.
To clear up some confusion, I was never considered talented when it came to playing instruments or writing poetry. I’ve had numerous attempts — all ending in frustration and disappointment. But after some careful consideration, my love for music doesn’t have to be put to a halt because I’m not “musically” talented.
I’ve always been the one who will get the job done no matter what it takes. I take genuine pride in my organizational skills, communication skills, and my perseverance. Through this moment of discovery, I soon realized working within the music industry was what I truly longed for.
Summer of 2016 I was finally given one of the biggest opportunities of my college career and was offered an Advertising and Marketing Assistant Internship at The Intersection in Grand Rapids, Michigan. The Intersection was a venue I praised when I was younger, they are well known for booking the best shows in the West Michigan area. At first, I was very timid and reserved in the office — but once I was put on tasks I was set to go. Many of these tasks included: Spreadsheets, running errands, decorating, ticket pick-up and drop-off, making calls, organizing, making small improvements to green rooms, assisting artists at load-in etc.
After a few weeks in the office, my supervisor then gave me the opportunity to get in contact with a woman who was recruiting students to be involved in an internship at Electric Forest Music Festival.
After a few weeks in the office, my supervisor then gave me the opportunity to get in contact with a woman who was recruiting students to be involved in an internship at Electric Forest Music Festival. A few weeks later, I was planning the details of my ten-day internship as a Forest Production Intern.
Before Electric Forest I was very skeptical of the EDM festival industry, and what it would entail. Some of my tasks included: Making documents, checking in volunteer workers, cleaning the forest before the gates opened, assisting artists with their art installations, handing out flyers, walking the forest and checking on installations, assisting stage managers during the day, and much more.
For the duration of both internships, I learned more about myself and this industry than I would have ever learned in a college course. I learned valuable tips and information from my supervisors that I will carry with me. After both internships I can now say I appreciate every person, process, and capacity of the industry — and without them, none of this would be possible. I hope to keep striving for a career in this industry — and continue to hold myself to the highest standards possible because anything is possible.
Brand New is a highly praised alternative-rock band originally from Long Island, New York. Brand New is known for their release of four albums: The Devil and God are Raging Inside me, Your Favorite Weapon, Daisy, and Deja Entendu. Brand New was formed in 2000 and gained popularity after their first album release of Your Favorite Weapon in 2001. Brand New progressively began to snowball in publicity once they released many mysterious songs, messages, and questionable rumors that caused their fans to go mad:
Cryptic & Mysterious Sounds on the album Daisy
Daisy was released in 2008 and included many top hits such as Bed, Gasoline, and You Stole. Many of their songs off Daisy has made fans question their use of cryptic noises and what sounds to be interviews or monologs — and their overall meaning behind them. In an interview with Spin Magazine, lead singer Jesse Lacey reveals he found the samples from an estate sale and soon discovered they were of a Texas sermon — he later decided to add them to the album. He still doesn’t admit if there is a deeper meaning to the hidden clips, but it has continued to have fans questioning the context.
According to an article in Alternative Press Magazine, Brand New updated their website in a very mysterious way that left many people scratching their heads. A ‘mysterious’ button was added to their website that included the words “HYPE” — then was later changed to “NODE.” Both of these links led the user to an external website that was either a music video or an Illuminati website with useless information. “What does it mean? No clue. Honestly, it doesn’t sound too farfetched that the band are just f*cking with us” (Alternative Press Magazine, 2014).
Merch with 2000-2018
During their 2016 summer tour with Modest Mouse, Brand New was actively selling merchandise with the dates 2000-2018 printed on it leading many fans to believe they were officially announcing their break up. This was later confirmed in an article posted on Consequence of Sound. According to the article, Jesse announced to the crowd, “We’re done. Oh yeah, we’re done, and it makes nights like this all the more special so thanks for being here.”
After reviewing just a few PR tactics mentioned here, I think it’s safe to say Brand New has it all figured out — no wonder they are one of the most well-known alternative-rock bands in the genre. Though they won’t be around for much longer I urge everyone to keep an eye on their branding and media coverage, you never know what is going to mysteriously pop up.
We all know how active millennials can be especially this time of the year — you crave great underground music, but you don’t know where to find it. Here’s a quick guide to assist you in satisfying all your music discovery needs in a short amount of time:
Bandcamp is a blessing to many bands/artists who are just getting started and need a seamless way to sell and upload their music. The artist is able to tag their album(s) according to genre making it easier for fans to discover. The “discover” tab on the home page allows you to quickly choose your favorite genre and scroll through the recent posts, in hopes of discovering something you didn’t know you were looking for in the first place.
Along with Bandcamp, Soundcloud is one of the most popular platforms for unique music discovery. On Soundcloud you can listen to their “top 50” chart where you can filter according to what genre you are into at the moment. Once you make an account, you have access to the “discover” tab where you can find tracks you’ve been looking for your whole life. Soundcloud provides you with suggested songs that correlate with your previously played tracks through their powerful algorithm.
Hillydilly is a compelling platform that includes music that is handpicked just for you to discover. Their homepage includes a ‘CHARTS’ playlist that highlights their recent top tracks. You are also able to curate playlists according to mood & activities that were selectively put together to satisfy the listener. Hillydilly is a quick way to unearth some new artists you’ll be sure to love.
Though these are only a few suggested platforms for quick, seamless music discovery there are different variations that are just as successful. These platforms are sure to assist you in discovering a quick song to drive, workout, read, or work to all within a snap.
To many people, the music industry PR world might seem a bit intimidating, fast-paced and overall, scary. Don’t get me wrong, it is all of the above– but in order to take a step out of the norm, you need to take creative risks to develop your band into a brand. There are many artists out there who don’t have the support of a label behind them, along with money to pay a professional publicist. This leaves the band to promote and create content themselves, and sometimes, that can be very daunting!
Four years ago I started my endeavor in the local music industry: hanging flyers, promoting shows, writing blogs, reviewing albums, interviewing bands, photographing shows etc. Ever since I’ve been mentally compiling a list of my personal (and other’s) advice on how to promote yourself/your band to the music industry world. Don’t be fooled, I’m not a music industry “know it all” but I do know a few things here and there, hopefully, these three tips help you develop your brand into something you are proud of.
Social Media Presence:
Make a social media account on all platforms possible, this includes Facebook, Instagram, Twitter, Tumblr, YouTube, Snapchat, Flickr, Bandcamp, and Soundcloud. The main content should concentrate on your story and your overall brand. What makes you different than the other local bands in the a
rea? Your content should have a personality and a sense of humor, don’t be afraid to engage with your listeners through these platforms. According to a study by Salo, Lankinen and Mäntymäki (2013) content is key when driving artist awareness and user engagement: “Access to content is an extremely important consumer motive for using social media in the music business.” (p.37) You should include pictures that have been taken at shows (professional or from the crowd, personalized videos of your band while practicing or backstage at a show, positive messages about your music genre, or post a letter from a fan). Though, content is broad and exciting, sharing your brand story should be at the top of your list (Friedman, 2014). Utilizing these platforms is important to engaging all listeners and gaining new fans through a personable and positive social media presence.
Media contacts are very important when you are releasing new material, going on tour, making a music video or if you want to be featured for publicity. When sending emails and messages proof-read, proof-read, proof-read before you hit the ‘send’ button. This is very important, and it only takes one mistake for an occupied staff member or writer to delete your message. When contacting make sure to include some information about your brand and why you are reaching out to them (interview, review, feature story, new material etc.). Developing relationships and networking with media writers/staff members are very useful once you get to know each other.. one relationship leads to another.. and another and another.
Low-Budget Show Promotion:
Finally, you’ve landed a show opening for a touring band that is coming to your town. Months of practice and writing has led you to this point– and without cash. Promoting the event almost seems impossible, but have no fear! There are effective ways to promote the show while on an artist budget. First, postering, yes, I said it, postering. They are relatively cheap to print and very effective if the design is good-looking and has all the necessary information (Trumbull, 2016). This can be the difference between someone looking at the poster for a split-second, or actually stopping to take the event into consideration. Next, social media, create an event and promote, promote, promote, but don’t waste all your efforts on Facebook, jump on Twitter, Instagram, and Tumblr! The goal is to attract anyone and everyone to attend the show– choose your favorite content and create something unique to make people clear their schedules to join you.
Sure all of these methods won’t help you become a top-40 band overnight, but when combined and utilized together they have the potential to expand your audience and bring a couple more bodies to the venue door. Be creative with your messages, research what some bigger bands are doing and apply your own spin off their content. Don’t get caught up in the do’s and dont’s because at the end of the day this is your brand, and it’s important to take risks and build something you are excited about.
Friedman, S., (2014, December 29). How to perfect your band’s social media strategy: the 70-20-10 rule. Retrieved March 21, 2016, from http://blog.sonicbids.com/how-to-perfect-your-bands-social-media-strategy-the-70-20-10-social-media-rule
Salo, J., Lankinen, M., & Mäntymäki, M. (2013). The Use of Social Media for Artist Marketing: Music Industry Perspectives and Consumer Motivations. JMM: The International Journal On Media Management, 15(1), 23-41. doi:10.1080/14241277.2012.755682
Trumbull, T., (2016, March 11). 5 effective ways for cash-strapped musicians to promote their gigs. Retrieved March 21, 2016, from http://blog.sonicbids.com/5-effective-ways-for-cash-strapped-musicians-to-promote-their-gigs
As the semester wraps up I always look back at the knowledge I gained with the three basic questions: Was it pointless? Worth it? Did I actually learn valuable information?
This was my first semester at Grand Valley after transferring and I was very intimidated by the APR world, but I never thought I would love Public Relations as much as I do now. Of course, there are plenty of classes ahead of me to satisfy my APR minor, but I feel confident on my newly acquired knowledge base.
Taking a glance at my first blog of the semester accurately depicts my complete center of knowledge revolving around Public Relations… and as you can see, it’s not much. In the beginning, I thought PR was focused on crisis management and had less to do with publicity and media relations. My assumptions weren’t too off, but rather PR focuses on many components at the same time to fully satisfy the client’s needs. Worrying about primary and secondary research, goals, objectives, strategies, tactics, budgets, timelines, press releases seems like a good recipe for a PR meltdown. Through the long nights, solid research, and proof-reading sessions I am almost done with my first Public Relations campaign and dang, it feels good.
Through the semester, I can say I have grown as a School of Communications student. Walking into this class, I had no idea what I wanted to do, but I discovered the main problem was the fact that I had no idea what the difference was between Advertising and Public Relations. Now I know there is a clear line between the two, and honestly, I couldn’t be happier with my choice. Since I was so busy this year with school and workI wasn’t able to make PRSSA meetings, which I regret. I promised myself next year I will be attending them every other week and I will make it a priority to clear my schedule. This class has helped me reassure my desire for a PR focus in my school and professional life.
Since High School, I’ve always enjoyed social media, blogging, and Tweeting for my own pleasure. It was always my 8th-grade dream to work for a company as a social media manager, and surprisingly, it still is. When people ask me what I want to do with my major (Communication Studies) and my minor (APR) I always say the same thing: My dream is to work at a record label. Once I was introduced to Skelletones, The Orbit Room, and The Intersection back in early middle school I was turned on instantly. Over the past five years, I’ve been focused on my career in the music industry. I applied for many jobs working for publications and thankfully I was able to connect with many journalists and content writers in the Detroit area who were a great help to my beginning in the industry. There have many been up’s and down’s where I’ve convinced myself I will never have a career in music, but here I am once again, fired up and ready to go.
During this semester I wrote a blog about my passion for D.I.Y. bands trying to promote on a budget – which is my favorite blog to date. I feel I can easily apply the skills I’ve learned in this class to many avenues of my life. Regardless if it is in the music industry or not. This summer I will be taking another step in my career and I will be interning at The Intersection. Through the research, blogs, campaign, and reading from the textbook I feel confident on making an impression by my increased knowledge from this class. Sure, there are many things I’m waiting to learn. I am nervous to start a new chapter in my school career, but most of all, I am confident in my abilities thanks to this course.
Visiting back to my first blog, I defined Public Relations to be, “Regulating and overseeing the spread of information between businesses and the public.” Looking back on this definition almost fourteen weeks later, I’m pretty impressed with it, and I believe I was on-track with my definition (even though I wouldn’t believe it fourteen weeks ago).
Regardless, this semester has been difficult. Period.
I am taking some of the hardest courses in my major, learning a new language, and slowly working on my first PR campaign has been a challenge, but thankfully the end in near. This is my third year in college and I hate to say it, but there are many classes that have proven to be useless, but they are requirements nonetheless. CAP 220 has proven to be a valuable tool that many students should utilize while moving their way up the PR ladder. Thanks to the constructive criticism Adrienne had to offer and some needed pushes to keep me on track, I am excited to move forward.